Pointing out that Sampedro's case was made famous in Spain when he ended his life in 1998, with both the Spanish and European courts overruling his right to die, Bardem is unsure whether he would like to see the law changed. "I would like to open a debate and see very clearly what the situation is and what we can do. There are many people like Ramón Sampedro and there are many others who want to live, and they both have to be listened to. Euthanasia is a very delicate issue. There are many cases, but in a case like this, I don't see why institutions - such as the most fanatical and extremely violent institution ever, the one called The Church - are able to say 'no' to that. Are you telling me your life doesn't belong to you but belongs to God? Excuse me, but what the fuck are you talking about? God doesn't come in to wake me up. God doesn't do anything for me. God exists because we think of him."
Though he has since appeared in such English-language films as the Coen Brothers' No Country For Old Men – for which he won an Oscar – and 007 adventure Skyfall, it's projects like The Sea Inside that are closest to his heart. He calls it “a masterpiece,” a given that the film won the 2004 Oscar for Best Foreign Language Film, he's clearly not the only one who thinks so.
“I've done 20 movies in 14 years and this is the first time I've said something like that,” he admits. “I never like what I do as an actor. I'm not talking about my job; there are things I like, and there are some things I don't like at all. I don't really care. What's important here is that man, that statement and that movie. I think the movie's a masterpiece, honestly. It takes you to some places you don't usually go."