Taraneh Alidoosti stars in a gripping, award-winning mystery-thriller from Oscar-winning Iranian writer-director Asghar Farhadi.
Shane Carruth's second feature is an artful experiment in audience-addling alienation.
"I told you a story, and then you've taken it and made it your own - you do this all the time."
Kris (Amy Seimetz) is telling off Jeff (Shane Carruth) for confusing her childhood memory (of nearly drowning) with his - but this is only one of many confusions in a film full of mesmerism, deja vu, metempsychosis and parasitism. For in Upstream Colour, feelings are vicarious, thoughts are surrogate, and experiences are had by (porcine) proxy, as these bewildered lovers, having unwittingly ingested a mind-altering grub, struggle to reclaim their fractured sense of identity.
After tying viewers' brains in knots with his time-travel debut Primer (2004), polyhyphenate filmmaker Carruth returns to the theme of multiplied identity with a feature that, for all its strict chronological ordering, continues to confound with a set of parallel narratives whose precise interrelationship remains stunningly oblique. Carruth eschews easy exposition, instead deploying staccato editing, story-leaping match cuts, cool framing and organic sound design to hypnotise viewers into making their own connections between all his oneiric riffing - even if the actual explanatory frame, divulged by Carruth in interviews and readily available online, seems something of a pig in a poke compared to the wilder places to which this film's free associations might take us.
Still, even if the film's Lynch-like psychogenic fugue comes with a microbial solution of sorts, there is greater pleasure to be had in losing yourself (much as Kris does) to the throbbing ebb and flow of its motifs and ideas, as they get right under the skin. What could be better, after all, than to make Carruth's story your own?
Carruth's mindmelt of mesmerism, metempsychosis and micro-organisms will leave some a little cold, most bemused if not utterly baffled, and near all needing to see it a second time.
We grabbed five minutes with Jim Gillespie after his Edinburgh International Film Festival directing masterclass to put five burning questions to the man behind I Know What You Did Last Summer, whose
Principal photography has commenced on Dark River, the third feature film from writer/director Clio Barnard (The Arbor, The Selfish Giant), starring Ruth Wilson (The Affair, Saving Mr Banks), Mark Sta
The best all-singing, all-dancing showstoppers every committed to screen
A summary of the critics and film professionals who voted for the top 50 Horror films of the 21st Century
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