The Mortal Instruments: City of Bones
Lily Collins stars in Harald Zwart's fantasy action-adventure, based on the first novel in Cassandra Clare's bestselling series for young adults.
Jonathan Smith adapts his novel about rocky love on the Cornish coast in 1913.
Adapted by Jonathan Smith from his 1995 novel of the same name, Summer In February documents the ultimately tragic love triangle between Edwardian artist Alfred Munnings (Dominic Cooper), his best friend Captain Gilbert Evans (Dan Stevens) and the woman they both fell in love with, Florence Carter-Wood (Emily Browning). Set in Cornwall just before the First World War, the tempestuous relationships between these three intriguing historical characters are played out against the craggy backdrop of the Cornish coastline.
This script undoubtedly benefits from being written by the author of the original text; Smith knows his characters well and delivers taut, insightful scenes. Cinematographer Andrew Dunn (The Perks of Being A Wallflower) furthermore makes the most of dizzying cliffs, serene riverbanks and rickety cottages. Perhaps the most striking element of this deeply touching adaptation, which is based on events documented in the diaries of Captain Gilbert Evans, is its use of strong casting contrasts to illustrate the destructive clash of passionate personalities. Cooper oozes an uneasy, almost sordid, charisma as the unpredictable, and at times intimidating, Munnings whilst Stevens’ clean-cut manner, jutting jaw and perfectly prim posture highlights his unbending virtue as his heart is broken, by both his friend and the woman he loves, more than once. Caught between these two opposing suitors, Browning’s petite, bowed presence effortlessly paints the portrait of a delicate and complicated young woman. All in all, both the casting and the acting are a decided triumph.
A love triangle may not seem the most original storyline, but director Christopher Menaul adds intrigue by refusing to pigeon hole his characters into the categories of good and evil; morally right and wrong. By the time the final credits roll the audience is left to decide for themselves whether or not Munnings did mistreat Carter-Wood (although the fact he did not mention her in his memoirs in the same way Evans wrote about her in his diaries speaks volumes) or whether her depressive state made a bad situation far, far worse. The film does, at times, suffer from pacing problems but at a neat 100 minutes this is only a very minor flaw in what is a heartrending depiction of a very sad episode in British cultural history.
Thoughtfully cast and beautifully shot Menaul’s opaque portrayal of love, betrayal and loss in an artists’ colony is not quite a masterpiece, but unquestionably displays some impressive flourishes that will stir and move.
Luke Treadaway, Neil Maskell and Timothy Spall star in this Leeds-set heist caper, the debut feature from writer-director Rowan Athale.
The first installment from Cassandra Clare's bestselling YA franchise starring Lily Collins.
Electric Boogaloo is light, accessible and anecdote-heavy, turning both the Cannon Films owners and the films they made into larger-than-life characters.
The Film4-backed 45 Years takes Best Actor, Best Actress and Best British Film at the 36th London Critics' Circle Film Awards Other prizes for Film4-backed films included Breakthrough Filmmaker for d
Six Film4-backed films received a record 15 Oscar nominations for the 88th annual awards ceremony, which will air live on 28th February 2016, including Best Picture and Best Director nominations for R
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