Taraneh Alidoosti stars in a gripping, award-winning mystery-thriller from Oscar-winning Iranian writer-director Asghar Farhadi.
A young univeristy student (Ghost Ship's Emily Browning) is drawn into a mysterious underworld of scraggy old men who want to watch you sleep naked
Emily Browning (Ghost Ship, Sucker Punch) gives the best performance of her career so far as an emotionally introverted but physically exposed character who places her body in the care of various authority figures (doctors doing some sort of medical trial, a madame type in a sex-mansion) in exchange for money.
Outwardly, she remains impassively unfazed by the majority of these physical impositions. Perhaps she doesn't care, and has achieved a genuine separation between what happens to her body and her sense of self. Perhaps she has little self-esteem and believes on some level that she deserves to be physically degraded. Or perhaps she enjoys the degradation, the abandonment and danger, the implicit sense of trust blended with abasement.
All of these are interesting psychologies to explore; it's a shame Sleeping Beauty kind of leaves them hanging. For sure, it's great when filmmakers leave us to make our own minds up, but here, we're not even given very much to make our minds up about. Sleeping Beauty is a rather chilly, bone-china-pretty, closed-off film, that disdains its audience as voyeurs rather than inviting them in. It reminds me of erotic Japonesque porcelain - frank, yet remote.
A strange, lyrical film, Sleeping Beauty slips away like a half-remembered dream and is perhaps ultimately of as much consequence
We grabbed five minutes with Jim Gillespie after his Edinburgh International Film Festival directing masterclass to put five burning questions to the man behind I Know What You Did Last Summer, whose
Principal photography has commenced on Dark River, the third feature film from writer/director Clio Barnard (The Arbor, The Selfish Giant), starring Ruth Wilson (The Affair, Saving Mr Banks), Mark Sta
The best all-singing, all-dancing showstoppers every committed to screen
A summary of the critics and film professionals who voted for the top 50 Horror films of the 21st Century