Viewing your Watchlist and recommended content requires Javascript

  • 15
  • Horror, Thriller
  • 2006
  • 93 mins




A concealed hunter picks off reformatory teens on a desert island, in this survival thriller directed by Michael J Bassett


Take the aggressive canines (and Sean Pertwee) from Dog Soldiers, the female maneuvers (and Alex Reid) from The Descent, the vengeful stalk-and-slash (and Toby Kebbell) from Dead Man's Shoes, add director Michael J Bassett (best known for Deathwatch), and you end up with Wilderness, a film that tries awfully hard to position itself as part of the current renaissance in British horror - even throwing in the forest aerials from The Shining and the wood-and-bone fetishes from The Blair Witch Project to up its chiller credentials.

Except that Wilderness barely qualifies as horror at all. Sadistic and gruesome it may at times be, but it is never frightening, and it lacks altogether the kind of confounding ambiguity that is so essential to the uncanny. Rather it belongs to the same outdoor survival subgenre as Deliverance, Southern Comfort and Britain's own This Is Not A Love Song and Severance. Nothing wrong with that, of course, but unlike Deathwatch, where Bassett was working from his own script, this time the director is lumbered with a noisy mess of a screenplay by first-timer Dario Poloni - and no-one emerges entirely unscathed.

After one of their number commits suicide under suspicious circumstances, the six remaining boys from Dormitory H at the Moorgate Young Offenders Institute are sent to a bootcamp on a secluded island, under the watchful eye of their warder Jed (Pertwee). Sociopathic bully Steve (Wight) is immediately looking for trouble, using the obedient Lewis (Neal) for muscle. Sex-mad Blue (Deacon) wants girls, chilled Jethro (Richie Campbell) wants peace, terrified Lindsay (McKay) wants protection, while newcomer Callum (Kebbell) wants out.

Even after they chance upon a second camp, where ex-military warder Louise (Reid) is looking after Mandy (Crichlow) and Jo (Greene), the boys still cannot shake the feeling that there is someone else with them on the island. Then the killing starts, and they all whine, bicker and generally race about as their own criminal histories and internal divisions prove just as lethal as the mysterious figure that is picking them off one by one with an array of hunting instruments.

"I've never seen a dead body before," says Blue. This is not only a tired old cliché, but also untrue: all the boys had seen their dorm-mate's corpse long before they went a-camping. Such lazy writing mars the whole script. None of the characters goes anywhere (and not just because they are all stuck on an island), so that, for all the impressively feral performances, the personal dramas never engage and the deaths are hardly unwelcome.

The 'mystery' of who is attacking them - and why - gets resolved far too early in the piece, and is too contrived to satisfy. With every hint at supernatural goings-on quickly giving way to far blander explanations, this is a thriller left stranded by its own literalism. It is all so grounded and dull that you find yourself just aching to see one of those polar bears from 'Lost', or anything else just a little bit unexpected, come bursting out of the undergrowth.

There are vague hints at broader themes, such as the reversible dynamics of bullying and revenge, or the difficulties facing the penal system, but these tend to get shouted down by the characters' conflicts, all conducted at a shrill volume as though to compensate for their lack of substance. In the end, with all its in-fighting, tantrums and endless bitching, Wilderness is just like 'Love Island' off the telly, but with evictions of a more permanent nature - something that is, unfortunately, less gratifying than it might at first sound.

Only the glorious scenery and occasional splashes of grand guignol manage to divert, in what is otherwise a pedestrian spin on 'Lord Of The Flies' - or, if you like, Predator without the alien. It is but a feeble ripple in the new wave of British horror.

Cast & Connections

  • Actor: Alex Reid, Sean Pertwee, Lenora Crichlow, Toby Kebbell, Ben McKay, Stephen Wight, Karly Greene, Luke Neal
  • Director: Michael J Bassett
  • Writer: Dario Poloni
  • Producer: John McDonnell, Robert Bernstein, Douglas Rae
  • Photographer: Peter Robertson
  • Composer: Mark Thomas

In a nutshell

This over-literal, fright-free slasher is strictly for completist gorehounds and Home Secretaries seeking radical solutions to the high number of youth offenders.

by Anton Bitel

Latest from Film4...

  • Film4


    Romantic drama set in Depression-era North Carolina starring Jennifer Lawrence and Bradley Cooper.

    On Film4: 3 Oct 9:00PM

  • Film4


    Audie Murphy stars in this remake of 1939's Destry Rides Again, which is directed by the man who made that previous version, George Marshall.

    On Film4: 28 Sep 4:25PM

  • Film4

    Weird & Wonderful Season on Film4

    Wild fantasy, dark fairytales and spectacular creations to tie-in with the release of Tim Burtons Miss Peregrines Home for Peculiar Children.

  • Film4

    R.I.P.D. on Film4

    Jeff Bridges and Ryan Reynolds star in Film4's first play of R.I.P.D., part of our Weird & Wonderful season.

  • Channel 4 Blog

    TIFF 2016: Top Ten Editor Michael Leader runs through ten standouts from the Toronto International Film Festival...   The Oath I'd already seen three of the four Film4-backed films screening in Toronto (inc

  • Channel 4 Blog

    Baltasar Kormakur on The Oath

    As his Film4-backed Icelandic thriller The Oath premieres in Toronto, director/writer/actor Baltasar Kormakur speaks with editor Michael Leader about making films in Hollywood, returning to

Register with

Personalise your Film4 experience

  • Set film reminders
  • Build your watchlist
  • Get film suggestions

or Register