This Jordan biopic of the Irish revolutionary is problematic whatever your political persuasions. The period he depicts - the 1916 Easter uprising, the 1921 free Republic negotiations - dictated the future of Ireland. From the civil rights movement in the 1960s to the rejuvenation of the IRA and the Good Friday agreement, Collins legacy looms large.
A fascinating figure, then, but this is Hollywood, not history. We can admire the striking crowd scenes, the passionate speeches and Neeson's heroic performance, but the love story sub-plot (a thankless role for Roberts) and the simplification of Collins' relationship with De Valera (Rickman as villain) are galling.