Alex Pettyfer and Gabriella Wilde star in this romantic drama directed by Shana Feste.
Robin Williams swings his hips in a fluttery, farcical tale of family values and attitudes towards homosexuality. Nicely judged, generous performances and flamboyant costumes make this a sparkling treat
Colourful, camp, beautifully acted and brimming with gags, Mike Nichols The Birdcage sits comfortably in Hollywood's canon of unchallenging, 'It's OK to be gay' films. While mildly irritating much of America's gay community on its release, it was nevertheless a box office hit.
Based on the French play and film La Cage Aux Folles, and set in Miami's South Beach, Robin Williams dons gaudy shirts and tufty tash to play Armand Goldman, the owner of a successful drag night club. He lives with his boyfriend, the club's reigning star Albert (Nathan Lane). Their lives are turned upside down when Goldman's son - from his one heterosexual relationship years ago - Val (Dan Fullerton) announces his engagement to Barbara Keeley (a plumper Calista Flockhart), the daughter of a right-wing senator (Gene Hackman). Oblivious to their future son-in-law's unusual family set-up, Keeley's parents set out to visit Val's 'parents'. Meanwhile, Armand and Albert fret over how they are to fake 'normality'. And so the deftly choreographed comic chaos begins...
Aside from Williams' blazing performance - his best in years - the film's real strength lies in director Mike Nichols' skill at eliciting believable performances, and, in turn, a proud, bold examination of the traditional nuclear family.
Film4.com Editor Michael Leader runs through ten standouts from the Toronto International Film Festival... The Oath I'd already seen three of the four Film4-backed films screening in Toronto (inc
As his Film4-backed Icelandic thriller The Oath premieres in Toronto, director/writer/actor Baltasar Kormakur speaks with Film4.com editor Michael Leader about making films in Hollywood, returning to
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A summary of the critics and film professionals who voted for the top 50 Horror films of the 21st Century