James Stewart stars as a railroad man hired to secretly carry a payroll despite his suspected connections to outlaws
Antony Hopkins stars in this definite Merchant-Ivory film, adpated from the novel about class, love and repression by Kazuo Ishiguro
Merchant-Ivory's best film by a mile. Indeed only a couple more came close to the subtlety of Jhabvala's intelligent and moving adaptation of the fine novel by Kazuo Ishiguro. Set in an English country house just before the Second World War, The Remains Of The Day is an intricate, forceful dissection of class, and its class strictures and strata as seen in the household.
And while dispensing superlatives let's hear it for Hopkins, giving probably his finest performance, nudging himself into the realms of Ralph Richardson (who might have been even better) in his portrayal of James Stevens, the obsessively dedicated butler who stays loyal to his calling even when he falls in love with the housekeeper (Thompson) and out of step with the fascist views of his aristocratic employer, Lord Darlington (Fox).
A meditation on solitariness, dedication, love, class, politics and, above all, waste, expertly put together and played with a surfeit talent by the quality cast.
The Glasgow Film Festival programme is announced and features Film4-backed films Second Coming and Catch Me Daddy plus much, much more, from 18th February to 1st March It¿s almost time once more for
As Louise Osmond's inspirational documentary about an unlikely group of friends who breed themselves a racehorse is about to premiere at Sundance 2015, Catherine Bray catches up with the director for
Find out who voted for Film4.com's list of the top 100 must-see films of the 21st Century so far
A tooth-chattering voyage through the scariest movies ever made