Taraneh Alidoosti stars in a gripping, award-winning mystery-thriller from Oscar-winning Iranian writer-director Asghar Farhadi.
The sci-fi action-thriller that launched the careers of James Cameron and Arnold Schwarzenegger into the stratosphere. Still endlessly entertaining
Cameron came to this low-budget science fiction movie with a single directorial credit to his name, the silly exploitation film Piranha II: The Spawning. The best that Schwarzenegger could boast from his screen career was a touching turn in Stay Hungry and an attention-grabbing appearance in the body-building documentary Pumping Iron. Both would go on to bigger things, but none that would equal the imagination or vigour of this frenetic thriller.
Already Cameron's favourite themes are evident in this taut, economical tale of the duel between a killer robot (Schwarzenegger) and his human nemesis, Reese (Biehn), over Sarah Connor, the woman (Hamilton) whose unborn child will in the 21st century save humanity by destroying the machines that have taken over the world.
In Cameron's films it is always the women who are the natural leaders, the survivors. Also, from a director who is famously in love with technology, the film is obsessively technophobic. The secret of its success is certainly not in its originality - science fiction author Harlan Ellison threatened legal action until he was awarded a writing credit - but lies in its relentless energy, and Schwarzenegger himself as the taciturn monster, who in the course of the action delivers fewer than 100 words of dialogue.
The original and best film from the franchise - iconic, heady, dark and exciting. Arnie is just so much cooler when the T-101 is the enemy.
We grabbed five minutes with Jim Gillespie after his Edinburgh International Film Festival directing masterclass to put five burning questions to the man behind I Know What You Did Last Summer, whose
Principal photography has commenced on Dark River, the third feature film from writer/director Clio Barnard (The Arbor, The Selfish Giant), starring Ruth Wilson (The Affair, Saving Mr Banks), Mark Sta
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A summary of the critics and film professionals who voted for the top 50 Horror films of the 21st Century