Meryl Streep, Carey Mulligan and Helena Bonham-Carter star in Sarah Gavron's drama about the foot soldiers of the early feminist movement
Highly effective retelling of the Anzac attempt to take control of Gallipoli in Turkey during the First World War. Peter Weir directs a sprightly Mel Gibson
Inevitably, the events depicted in Weir's intimate epic of World War I mean more to the antipodeans for whom it is part of their culture and history. But Williamson's screenplay makes sure that the human element is equally important in the presentation of the two lads, Archy (Lee) and Frank (Gibson), who join the army and become rivals (as sprinters) and friends.
The film shapes up into an affirmative first section, a needlessly jingoistic centrepiece and a staggeringly effective finale, in which the disastrous campaign to take control of the Dardanelles ends in massive tragedy.
The friendship between town and country boys Lee and Gibson is real and personal, and the final shot transcends cliche.
Not profound but undeniably effective. Typical Weir, perhaps?
A new illustrated poster has been released for Louise Osmond's award-winning inspirational documentary Dark Horse: The Incredible True Story Of Dream Alliance, designed by Brighton-based artist Rich
[caption id="attachment_4385" align="aligncenter" width="600"] Dark Horse: The Incredible True Story of Dream Alliance[/caption] Sundance Award winner Dark Horse: The Incredible True Story Of Dream A
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