Katell Quillévéré's family-based drama follows Suzanne, a teenage mother who falls for a gangster
Highly effective retelling of the Anzac attempt to take control of Gallipoli in Turkey during the First World War. Peter Weir directs a sprightly Mel Gibson
Inevitably, the events depicted in Weir's intimate epic of World War I mean more to the antipodeans for whom it is part of their culture and history. But Williamson's screenplay makes sure that the human element is equally important in the presentation of the two lads, Archy (Lee) and Frank (Gibson), who join the army and become rivals (as sprinters) and friends.
The film shapes up into an affirmative first section, a needlessly jingoistic centrepiece and a staggeringly effective finale, in which the disastrous campaign to take control of the Dardanelles ends in massive tragedy.
The friendship between town and country boys Lee and Gibson is real and personal, and the final shot transcends cliche.
Not profound but undeniably effective. Typical Weir, perhaps?
BIFA-nominated films including the Film4-backed 45 Years, The Lobster, Macbeth, Amy and Ex Machina will be available in cinemas nationwide from 23 November in a special public screenings event. The
Film4 has received a total of 41 nominations for the films it has backed at this year¿s British Independent Film Awards (BIFAs), with the nomination lists for the Best British Film and Best Director a
A summary of the critics and film professionals who voted for the top 50 Horror films of the 21st Century
As voted for by a panel of horror experts and friends of Film4 & FrightFest