Part requiem, part enquiry, but all action, this scathing World War II epic is set during the costly 1944 Allied invasion of Italy.
Film version of this superior soap set in the claustrophobic world of a World War II German submarines
The crew are at the receiving end of a seemingly obscure command structure, and orders often make less and less sense as they are filtered down to the front line. Experiencing the war first-hand, the tired and edgy crew have little chance to relax, as the enemy could be lurking anywhere beyond the steel hull of the creaking submarine.
Director Petersen exploits his claustrophobic setting to maximum effect, paradoxically using a steady-cam which rushes through the cramped interior only adding to the sense of isolation. While the anti-war message isn't much to write home about, Das Boot (The Boat) still makes compulsive viewing. But the truth is simple: what makes it (and the TV series) float are the soap opera mechanics.
In a nutshell: Das Boot still makes compulsive viewing. But the truth is simple: what makes it (and the TV series) float are the soap opera mechanics.
Catherine Bray rounds up some of the most interesting shorts from the 70th edition of the Edinburgh International Film Festival. [caption id="attachment_5605" align="alignnone" width="600"] Before Lo
We grabbed five minutes with Jim Gillespie after his Edinburgh International Film Festival directing masterclass to put five burning questions to the man behind I Know What You Did Last Summer, whose
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