Alex Pettyfer and Gabriella Wilde star in this romantic drama directed by Shana Feste.
Hollywood granted a short-lived amnesty for aliens with Spielberg's often spellbinding and technically flawless sci-fi epic... We are not alone
The story has obsessive Dreyfuss chasing UFOs and racing a US government which is spinning tales of chemical leaks to keep the curious away.
The casting of French new-wave director Truffaut as the kind ufologist is inspired, and (at least on the big screen) the effects are breathtaking and audacious, while John Williams' score - for once integral to the plot - adds beauty to the proceedings.
There's a long-deleted producer's cut which is for once more dramatically satisfying, showing more of Dreyfuss's obsession while leaving the interior of the mother ship to the imagination. It's interesting to compare Bob Ballaban's account of the shoot with producer Phillips's bitchy 'You'll Never Eat Lunch In This Town Again'. Balaban mentions what a lovely producer she is, while she doesn't even honour a supporting actor with a mention.
Another classic from Spielberg's most fertile period.
Film4.com Editor Michael Leader runs through ten standouts from the Toronto International Film Festival... The Oath I'd already seen three of the four Film4-backed films screening in Toronto (inc
As his Film4-backed Icelandic thriller The Oath premieres in Toronto, director/writer/actor Baltasar Kormakur speaks with Film4.com editor Michael Leader about making films in Hollywood, returning to
The best all-singing, all-dancing showstoppers every committed to screen
A summary of the critics and film professionals who voted for the top 50 Horror films of the 21st Century