Taraneh Alidoosti stars in a gripping, award-winning mystery-thriller from Oscar-winning Iranian writer-director Asghar Farhadi.
An afro-bouncing, pump action bloodbath from cult director John Carpenter, with a humour as broad as the cast's improbably acred flares
John Carpenter's follow-up to his quirky Dark Star is this brilliantly economical urban horror story.
A rough reworking of Howard Hawks' Rio Bravo, it tells the story of a disparate group thrown together in a terrifying crisis. At the film's heart is the Hawksian staple - the two guys and a girl.
Austin Stoker is Bishop, a black police lieutenant given the job of looking after an LA precinct on the eve of its closure. Darwin Jostin plays the tough con on his way to Death Row, who is forced to take refuge in the building. Laurie Zimmer is the brassy, resourceful woman who treats the two men with equal respect. Together they face the peril of a heavily armed, multi-racial gang bent on revenge against cops.
Carpenter reveals his admiration for Hitchcock as well as Hawks, creating a taut little masterpiece of a thriller. The tension is sustained throughout, aided by the director's own minimalist synthesizer score and the inspired idea of having the gang use silencers on their guns, rendering their relentless assault eerily quiet.
This makes you nostalgic for the time when you would have bet confidently that Carpenter was embarking on what would surely be a long and lucrative career as a top Hollywood director.
A fast, dark, relentlessly maintained thriller that still ranks among the best of the decade.
We grabbed five minutes with Jim Gillespie after his Edinburgh International Film Festival directing masterclass to put five burning questions to the man behind I Know What You Did Last Summer, whose
Principal photography has commenced on Dark River, the third feature film from writer/director Clio Barnard (The Arbor, The Selfish Giant), starring Ruth Wilson (The Affair, Saving Mr Banks), Mark Sta
The best all-singing, all-dancing showstoppers every committed to screen
A summary of the critics and film professionals who voted for the top 50 Horror films of the 21st Century