Catch Me Daddy
Sameena Jabeen Ahmed stars as a girl on the run from her family with her drifter boyfriend in Daniel Wolfe's thriller
An afro-bouncing, pump action bloodbath from cult director John Carpenter, with a humour as broad as the cast's improbably acred flares
John Carpenter's follow-up to his quirky Dark Star is this brilliantly economical urban horror story.
A rough reworking of Howard Hawks' Rio Bravo, it tells the story of a disparate group thrown together in a terrifying crisis. At the film's heart is the Hawksian staple - the two guys and a girl.
Austin Stoker is Bishop, a black police lieutenant given the job of looking after an LA precinct on the eve of its closure. Darwin Jostin plays the tough con on his way to Death Row, who is forced to take refuge in the building. Laurie Zimmer is the brassy, resourceful woman who treats the two men with equal respect. Together they face the peril of a heavily armed, multi-racial gang bent on revenge against cops.
Carpenter reveals his admiration for Hitchcock as well as Hawks, creating a taut little masterpiece of a thriller. The tension is sustained throughout, aided by the director's own minimalist synthesizer score and the inspired idea of having the gang use silencers on their guns, rendering their relentless assault eerily quiet.
This makes you nostalgic for the time when you would have bet confidently that Carpenter was embarking on what would surely be a long and lucrative career as a top Hollywood director.
A fast, dark, relentlessly maintained thriller that still ranks among the best of the decade.
Film4 Summer Screen at Somerset House celebrates its 10th anniversary this August with 14 nights of open-air screenings Celebrating ten years of classic, cult, and contemporary films in its open-ai
Commissioning Executive Anna Higgs on creating a prequel to Lenny Abrahamson¿s Frank via the most natural storytelling medium possible for the character involved: Twitter The @JonBurroughs83 Twitter