Part requiem, part enquiry, but all action, this scathing World War II epic is set during the costly 1944 Allied invasion of Italy.
This film won Oscars for art direction and costumes and possibly inspired Alan Parker's condemnation of such ponderous works as 'the Laura Ashley school of film-making'. Certainly they seldom come duller - especially in the latter half - and even when cut by some 28 minutes after release, this remained a picture-book portrayal of the last years of Czarist Russia, seen through the eyes of Nicholas (Jayston) and Alexandra (Suzman). The leads fare reasonably well in the earlier scenes, but the passing parade of characters is just that.
Production values are high, but it lacks momentum.
Catherine Bray rounds up some of the most interesting shorts from the 70th edition of the Edinburgh International Film Festival. [caption id="attachment_5605" align="alignnone" width="600"] Before Lo
We grabbed five minutes with Jim Gillespie after his Edinburgh International Film Festival directing masterclass to put five burning questions to the man behind I Know What You Did Last Summer, whose
The best all-singing, all-dancing showstoppers every committed to screen
A summary of the critics and film professionals who voted for the top 50 Horror films of the 21st Century