Alex Pettyfer and Gabriella Wilde star in this romantic drama directed by Shana Feste.
"Seeps With Carnage In The Most Barbaric Humor Since The Guillotine Went Out Of Style!"... Demented son scalps female lodgers for his mother's wig shop in this classic Herschell Gordon Lewis schlocker
After a slight lull in Lewis' hard-gore output (1967 saw the release of his go-go extravaganza Blast-Off Girls and the somewhat subdued, in blood terms, A Taste of Blood) he came back all guns blazing with this "Ghastly Color" tour-de-force.
Mrs. Pringle (Elizabeth Davis), a strange old woman who talks to her stuffed bobcat Napoleon, runs The Little Wig Shop, offering 100% human hair. She also advertises rooms to rent. Local college girls, looking for accommodation, are lured in and then thrown into a back room where Mrs. Pringle's son, the grunting Rodney (Chris Martell), promptly scalps and dismembers them with an electric knife. When Kathy Baker (Gretchen Wells), a keen mystery fan, becomes concerned for her friend Dawn's whereabouts (by now very bald and very dead!), she sets out, against the advice of her beef-cake beau (Rodney Bedell), to find out the truth.
A hilarious impromptu dormitory go-go dancing sequence is made even more intriguing by the overt presence of a bucket of Kentucky Fried Chicken wings (Lewis' other, equally successful, career in advertising led to this product placement from The Colonel). Also of interest is the swinging beach party scene which features the director's son, Robert Lewis, on guitar.
Featuring some inspired and truly original acting techniques and with dialogue as carefully crafted as "I think this kid has flipped his wig!", this is well-trodden Lewis territory.
Disembowelling, eye-gouging, drive-in thrills and drag-strip racing, The Gruesome Twosome has something for everyone.
Film4.com Editor Michael Leader runs through ten standouts from the Toronto International Film Festival... The Oath I'd already seen three of the four Film4-backed films screening in Toronto (inc
As his Film4-backed Icelandic thriller The Oath premieres in Toronto, director/writer/actor Baltasar Kormakur speaks with Film4.com editor Michael Leader about making films in Hollywood, returning to
The best all-singing, all-dancing showstoppers every committed to screen
A summary of the critics and film professionals who voted for the top 50 Horror films of the 21st Century