James Stewart stars as a railroad man hired to secretly carry a payroll despite his suspected connections to outlaws
Before Rashmomon, Kurosawa managed to fit in this small, personal movie about the effect a media witchhunt has on a prominent lawyer and, in particular, his family. Based on a story which a stranger apparently related to the director in a bar, its cautionary commentary on journalistic ethics is topical to this day, showing how the small matter of personal privacy should never get in the way of a good story.
Anybody contemplating a tabloid career should watch this movie.
The Glasgow Film Festival programme is announced and features Film4-backed films Second Coming and Catch Me Daddy plus much, much more, from 18th February to 1st March It¿s almost time once more for
As Louise Osmond's inspirational documentary about an unlikely group of friends who breed themselves a racehorse is about to premiere at Sundance 2015, Catherine Bray catches up with the director for
Find out who voted for Film4.com's list of the top 100 must-see films of the 21st Century so far
A tooth-chattering voyage through the scariest movies ever made