Under Capricorn

Hitchcock oddity, like a second-rate Gainsborough melodrama transplanted to Australia, in which a drunken Bergman, driven to the bottle by her husband's cruelty, is drawn to her cousin (Cotten), just off the boat from England. The two stars offer reheated versions of their performances in Gaslight - the relationship between their two characters is much the same, and despite the odd experimentally distended take, Hitch seems as glum and dissatisfied with the material as his cast. If you're trying to remember the titles of all of his films to pass a tedious journey, this is the one that nobody will remember.