Review
Marlene Dietrich's penultimate collaboration with Josef von Sternberg is the most extravagant of all their seven sensuous, bizarre, unnaturalistic and pictorially splendid movies.
The glamorously lit Marlene as Catherine the Great of Russia, married to a lunatic prince (pop-eyed Jaffe) takes a lover (Lodge) and becomes pregnant by him. In the final, spectacular, high-camp scene, she rides her favourite horse into the palace and up the grand staircase to accept the crown. Tracking through the marvellous Hans Dreier sets, full of candles, bells and icons, creating a fantasy 18th-century Russia, is Glennon's soft-focus camera. Dietrich's own daughter plays young Catherine.
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